CHAPTER
124: The Picture of Dorian Gray
by Nicky
Voiceover by David Selby: “There
is a man at Collinwood, a man who has lived many lives. And on this night, the
memories of those lives and the loves he has endured may drag Quentin Collins
into a void from which he may never emerge.”
1
August 4,
1881
Sister
Judith was in bed (crying again, Quentin thought with a barely repressed eye
roll; why was she always always
crying?); Edward and Carl had both departed that afternoon for their
conspicuously separate boarding schools to which father Caleb, at Grandmama’s
insistence, consigned them yearly; and who knew about Father himself? probably,
Quentin thought wisely, drunk in his study, and if Grandmama found out … well,
best that Grandmama never found out.
Though there seemed so very little that she didn’t know.
She
certainly doesn’t know about this,
Quentin thought, and grinned, unable to help himself. The girl at his side made a tiny sighing
sound as he snaked his arm around her and nuzzled her ear. “Mr. Collins,” she said, “Quentin – you
really mustn’t. Please. Someone might see us.”
The
moonlight above them was bright and dazzled both their eyes when they looked up
into it. The garden was full of the
heavy smells of summer, the heliotrope slow and dizzying; purple blossoms now
black and silver on the trees threw out their perfume, and Quentin filled his
lungs with it. A peacock, somewhere in
the dark, called menacingly and the girl shivered despite herself. “Don’t worry,” he said. “No one will come if I don’t want them to.”
“You
sound so sure of yourself.”
“I
always do.”
“That,”
she declared, “is a character fault as I see it.”
He
was surprised for a moment into silence, then chuckled. “You see very little of the real me,” he
said, inspired.
She
turned to look at him. She raised one
pretty eyebrow in disbelief. “Indeed?”
she said.
“Absolutely. No one really sees the real me. I am confident
because I must be; I am the youngest of the Collins siblings, you know, and I
must constantly battle my brothers and my sister, or I will be lost. They’ll
see to it.”
“That
makes very little sense.”
“Ah,
but you are not a Collins. We are really
a very vicious, backbiting lot, as it turns out. We have a fortune which is never quite big
enough. Grandmama has amassed it, of
course, and in time she will dole it out to whomever she deems worthy enough,
but for now we must be content to wait.
Only I,” and he grinned wolfishly at her, “I am never content to wait.”
She
pushed him away. “Sir, please!” she
exclaimed. He watched her silently for a
moment until she reclined against the bench.
Behind them, the fountain gurgled somnolently. A light breeze rose up, washing them over
again in the thick, sweet smell of the heliotrope, shifting the trees so their
shadows swayed and danced at their feet.
She laughed then, at last. “You
are a boy,” she said.
Stung,
he said, “It is my birthday.”
“I
know.”
“My
fourteenth birthday. I am a man today, my dear.”
“You
are a boy,” she said again. “Oh Quentin,
I see through you. I have always seen through you. I always will. I very nearly forgot your invitation to meet
you this evening, deliberately, I
mean. Because I knew what you had in
mind, when really, all I want is to talk with you.”
He
blinked. “Talk? About what?”
Now
her sigh was one of irritation. “Oh,
anything,” she said. “Your thoughts on
the state of the union. Or about
the re-election of Mayor Hanley. Or about poetry, or love, or … oh Quentin,
why do you always laugh at me?”
“Because
you are a funny little creature.”
“That
isn’t very nice.”
He
touched her chin, her lovely pointed chin.
“But it’s true. I mean it, most
sincerely. You are funny, and you
frequently forget how very funny you are.”
“I
think,” she said stiffly, and made as if to rise, “that I shall leave you now.”
He
forced her down with one of the brutal displays of strength his siblings knew
well, particularly Carl, whom Quentin had ducked in the pool one night last
summer until he was very nearly drowned, until Edward and three of the servants
were forced to intervene and pry them apart.
It took Carl two days to awaken, and Quentin was soundly thrashed.
She
cried out indignantly, but he put his hand over her mouth until all he could
see were her terrified eyes staring at him.
“Be quiet,” he said sternly. She
made another sound and he pressed harder.
“I said, be quiet. And don’t even think about biting my
hand. I’ll strangle you if you do.” He smiled at her, his best, his most charming
smile. “I only want to enjoy the
moonlight. With you. I thought it would please you. May I remove my hand now?”
She
glared at him, then nodded, slowly. He
took his hand away. There were tears in
her eyes, which was disappointing and thrilling at the same time. “Whenever people are scared,” Quentin had
once attempted to explain to a disapproving Judith, “I always want to scare
them more. Can’t you understand that?”
but it seemed that she could not. Her
loss. “Well,” he said now, “are you
going to scream?”
“You
know I’m not,” she whispered, and touched her mouth lightly. There was a drop of blood at the corner of
her right lip. He wanted to kiss it
away. “You fiend,” she hissed, and turned away so he couldn’t see her
face. “Rake. Animal.”
“I
am all those things,” he said, and turned her to look at him gently, “but I am
also more. So much, much more.”
“Indeed
you are,” she said scornfully. “I can
see it now. You are nothing but a
slave.”
“I
am?” he said, genuinely surprised.
“To
your passions,” she spat, “to your feelings. You let them guide you instead of guiding
yourself. You aren’t a man.
You are a boy, a child. You,” she
said after a moment, and quite decisively, “are nothing but a beast.”
“I
have been called a beast before,” he said, and his temper slipped a notch, “by
other girls at other times.”
“You
haven’t known other girls.”
Another
notch. “Haven’t I?” he said, his voice
deceptively mild. He examined his
perfectly manicured fingernails. “My
dear, you don’t know me at all. And I
want you to know me, you see. That’s the
real reason I brought you out here tonight.
I want someone to know me.”
“There
isn’t a real you,” the girl said. He
realized suddenly that she was on the verge of tears, and he squinted at her in
the darkness, amazed. “Oh, don’t look at
me. It won’t help. It won’t give you depth, or a soul. You are a mirror, Quentin Collins, reflecting
back only the faces of those who look into you, but there is nothing at all
behind the mirror.”
“That
isn’t true,” he growled.
“Of
course it is. You know I don’t want you
to kiss me, or maybe I do, but we can’t, and you won’t listen to me anyway, or
care about what I say or what I think –”
“Perhaps
you’re right,” he said, bored.
“—
because there is nothing underneath the façade of Quentin Collins but a … a
blank canvas.” She rose again and drew
away from him quickly. “You are a slave
to your passions, only because you have no true character to allow you mastery
of them. Goodnight,” she said, nodding
furiously, “Mr. Collins.”
He
seized her wrist, and she gasped, a delightful sound, even as he delighted in
the grinding of the delicate bones together beneath his powerful fingers. “You aren’t going anywhere,” he growled
again, and pulled her back to him, and forced his mouth onto hers, smothering
her cries, then, grinning, he said, “No one will hear you, no one will help
you,” and kissed her again. His hands
found her breasts, small, like little apples, and squeezed them, rubbing at the
nipples with the balls of his thumb
until she gasped, then she sank her teeth into his lower lip, bit it and bit it
hard, and he cursed, but she had
escaped him and was already disappearing into the darkness.
He
rose, grinning his hot grin. It was his
birthday, dammit, and he was a Collins, and he could do whatever he
wanted. It was his goddamn birthright.
“The
hunt,” he whispered, and his long legs scissored through the darkness after
her. She wouldn’t get far.
2
Five days
ago.
“No,
Quentin,” Maggie said, and with a flick of her wrist the door of the cottage
slammed closed before him. A neat trick,
he thought, grimacing, for someone of her talents; now she doesn’t even have to
leave the sofa to slam the door in my face.
“Go away,” he heard her say from behind the door.
He
looked up at the sky. It was thick and
heavy with iron clouds, occasional rumbles of thunder, frequent bouts of rain,
nothing unusual for a light in late March.
Barnabas, Julia, and Angelique had been gone for almost three months,
disappeared somewhere into the past, and maybe it would be better for everyone
if they just stayed there. A disloyal
thought to be true, but Quentin was tired, Jesus, so tired; Eliot’s death, trying
to train Christopher to control the wolf, and wondering when the Enemy or Super
Angelique or Laura was going to show up and disembowel them all: these kept his thoughts occupied, and they
were, Christ, exhausting. So forgive me,
he thought frequently and bitterly, if I just wish for tranquility. And wherever Barnabas and Julia went,
tranquility was nowhere to be found.
It
began to rain as he looked up, and he closed his eyes. It was a chill, early spring rain that
threatened to become a deluge. He didn’t
want to beg. He should just return to
the Jag and drive back to Collinwood and return to his room and bottle of
brandy and stare morosely into the flames and wait for whatever was to come.
When did I become so damned passive?
He
wasn’t a passive person, and that was the trouble; Quentin Collins had always
been a man of action, pursuing whatever he wanted whenever he wanted it, which
had, let’s face it, driven him to some tricky places (and dark places, and
wretched places); but after a century of wandering the world, he had his
impulse control issues well in hand.
Usually. Nights like tonight, however, were
exceptions.
“I
can hear you out there, Quentin,” Maggie called. “I can hear you breathing.”
Miss
Maggie Evans, the former light of Quentin’s life, until the neatly timed
arrivals of Victoria Winters and Nicholas Blair, respectively, had helped them
to spin away from each other. Maggie,
once an ordinary young woman, a waitress at the diner in the Collinsport Inn,
born in Collinsport, quick with a joke, but a cynic deep-down. She learned as she went along that
relationships can and do change, that men are animals, that she could protect
herself with a wisecrack and that big, warm smile, but deep down inside she was
lonely. And Quentin Collins had
contributed to that loneliness.
But
she has the magic now to comfort her, he thought, then remembered that she was,
as she had told him, “trying to taper off,” like that suburban witch on that
amusing television show Quentin caught sometimes when he was very drunk, when
it amused him the most. He wondered how
successful her abstaining was proving, and thought about the last night they’d
spent together in the fall, a cold night, much like this one, only the leaves
had been dropping off the trees instead of budding and blooming.
“I
just want to talk,” he called, which was a lie, and they both knew it. Her amused snort that was her only reply told
him that.
When
did she discover my secret? he wondered now, idly shuffling the toe of his shoe
against the warping boards of her porch.
Must’ve been after Nicholas; lord knows I wouldn’t trust her with it
before then. I didn’t even trust Vicki;
she found out when she went back to fix this miserable present, and a fat lot
of good it did her. A fat lot of good it
did for everyone.
Ah
yes, the secret of Quentin Collins: the
portrait, painted by the insane Charles Delaware Tate, that kept the werewolf
curse in check and proffered Quentin perpetual youth, basic immortality. I should have told her, he thought, idly
examining the way the paint, a dull shade of blue-gray, was flaking off the
porch’s floorboards; I should have let her in on my secret. It could have saved us both a lot of pain.
The
door opened. She stood there, framed by
the soft, warm glow of the lamp light she used to read by. He couldn’t see her features, only a the
shadows of her silhouette.
They
watched each other for a long moment, before she sighed irritably and said,
“What do you want, Quentin?”
“Just
to talk.”
She
raised an eyebrow.
He
smiled self-deprecatingly. “No,” he
said. “Really.”
She
shook her head. “You don’t want to
talk,” she said. “We both know it.”
“Okay
then,” he said, and sounded – he felt
– angrier than he intended, “so maybe …”
He licked his lips. “…maybe I’m
lonely.”
She
laughed. “Who isn’t?” she said. “These days?”
“The
world may be about to end,” he said. “I
thought we could … you know … take comfort.
In each other.”
“Again.”
He
shrugged, tried to grin.
She
shook her head. “You are a child, Quentin.”
He
blinked, recoiled; those words, he thought, head swirling, I heard them …
before.
“Such
a little boy.”
Her screams as he pursued her through the
darkness. His howls, the ripping of her
flesh, her eyes, wide and terrified, as he sank his fangs into her …
He
shook his head. That wasn’t the way it
happened. I wasn’t a werewolf, he
thought, then.
“It’s
just like before,” Maggie was saying sadly.
“You want me when you want me, and when you don’t …” She shrugged.
“Once upon a time I might have let you inside. I suppose I did, just a few months ago. Even I thought I might do it again.”
“Please,
Maggie,” he said softly.
“Physical
comfort,” she said. “Cold comfort. It won’t do either of us any good in the long
run.”
“Maybe
I’m not thinking about the long run.”
“No,
you think you’re thinking about the
end of the world, and feeling, and one last time. But really, you’re thinking about yourself.”
“Oh
god,” he whispered.
“You
haven’t changed,” she said. “No matter
how much you think you have. That’s your
true curse, Quentin. The werewolf, the
portrait; those are just shadows. Not
even your real face. I …” She chuckled.
“I don’t think you even have a real face.”
He
recoiled again.
Her
face was stone now. “Shall I make you
leave, Quentin? Shall I use my powers
again? I could, very easily.”
“You
could.”
“I
don’t think I’ll have to,” Maggie said.
“I think you’ll leave on your own.
Mostly because, in addition to every other unpleasant aspect of what I
laughingly call your ‘character,’ you are also a coward. I have more power than you. Women with power terrify you; they always
have. I could make you grovel if I
wanted to.”
“You,”
he said again, “could.”
“Good
night, Quentin,” she said gently, and closed the door in his face once again.
And
he was alone.
3
August 4,
1895
“It’s
my birthday,” Quentin said wickedly, and Laura Collins giggled drunkenly. “Pour me more champagne.”
“Pour
me more champagne,” Laura said, “please. Remember, I am your sister-in-law. Decorum.
Chivalry. You must always be
polite, brother mine.”
“Some
sister-in-law,” Quentin said. “What
would Edward say, do you suppose, if we told him?”
Her
face darkened. “We won’t,” she
said. “You won’t.”
He
shrugged. His shoulders were very pale
amidst the dark blue comforter and sheets of this forgotten bedroom in the very
end of the West Wing; his chest paler.
This last bout of lovemaking was the most ferocious yet, but Laura was,
as always, fairly insatiable. She and
Edward should have been celebrating their tenth wedding anniversary, but Edward
was out of town – “Business,” he said gruffly to Quentin, laying a hand on his
shoulder, the most physical contact they had enjoyed since children, “Father’s
estate is tangled, as you can well imagine, and I suppose I shall have to be
gone for a week at least. Carl is
useless, and Judith is jealous; I am leaving it up to you, Quentin, to watch
the children, to keep them safe. And …
and Laura. She isn’t always well, and I think you know what I mean. I am not a man given to confidences, even
with you,” and Quentin had nodded fervently, “but Laura … she needs
attention. I trust you will help her
when she needs help,” and Quentin, nodding again, nodding – and Edward was out
of town, and here, Laura needed attention … at last.
“Quentin,
don’t joke.” Her fingernails, sharp as a
cat’s, dug into the soft meat of his upper arm, and he pulled it away.
“That
hurts.”
“Then
promise me.”
He
rolled his eyes, childishly, he knew, for a man newly twenty-seven, but he was
spoiled, and he knew he was spoiled. So
what?
Her
eyes, sea-green, were now only inches from his.
“Promise me,” she said in a
strange voice, and, suddenly chilled, he said, “I promise. Jesus.”
She
relaxed and lay back against the pillows.
Her breasts were large and round and he loved them, loved to nip at the
brown nipples; knowing that his beloved nephew and niece had pulled at them too
did nothing to deter this pleasure; was it wicked of him that this knowledge
only enhanced it? Probably so. Well, he said, then let me be wicked. I am
wicked. He watched her as she flicked at
her nipples lazily. They hardened at her
touch. “You mustn’t ever tell Edward,”
she said, staring up at the ceiling.
“You mustn’t ever.”
“I
suppose not,” he said. “Does it mean
that much to you? Really?”
“You
know it does.”
“Because
of your marriage?”
She
rolled over to look at him. “Because of
the children,” she said. “My children
are everything to me.”
He
resisted the urge to roll his eyes again.
If that were true, he thought but did not say aloud, you wouldn’t be
here now. Whore. Slut.
I love you, Quentin.
He
wanted to hear her say those words.
“We
should go away.”
He
started. “What?”
“You
heard me, Quentin.” She was pouring more
champagne after all. She handed him the
glass and he watched her over the rim as he sipped at it. “This house … this town … so dreary … and
your grandmother, watching all the time.”
“But
Jamison and Nora …?”
Her
eyes were filled with sudden terror. “We
must leave them too,” she said, and was out of the bed in an instant. “Now.
Tonight.”
“But
you just said –”
“I
know what I said!” She was sharp now, on
the edge of hysteria. “Please, Quentin,
you mustn’t listen to the things I say –”
“Done,”
he said, and smirked.
She
glared at him. “This isn’t funny.”
“I
don’t understand this change in you,” he said, and downed the glass of
champagne, then dropped it unceremoniously onto the floor, “but frankly, it
bores me.”
She
watched him for a moment. Then her hand lashed out and she slapped him.
He
seized her by the wrist. “Don’t you ever
do that again!” he snarled, then dropped her wrist with a cry.
He
looked up … into her eyes. And cried out
again.
Tiny
flames danced inside them, inside the pupil.
They were golden, those eyes, and leonine.
“Your
wrist,” he whispered, rubbing his hand, ‘it’s hot.”
“Indeed,”
Laura purred.
He
backed away from her, but slowly, and he couldn’t take his eyes away from
hers. “You … you … what are you?”
“I
am Laura Collins,” the woman said in three voices at once. “And more.”
“I
see that.” He swallowed. His throat was a desert. The air crackled around them, stifling, and
he realized that he was soaked with sweat.
Those
golden eyes blazed into his. The flames
there, centered, flickered with merriment.
“You are mine,” she said. “I am
yours. We will never leave this
place. We will stay at Collinwood. You will come with me when the time
comes. You … and the children.”
“Laura,”
he whispered, and tried to touch her face.
He made a yipping sound and pulled his hand back, burned again. She was scorching; the sheets beneath her
knees had begun to golden and smoke.
“Laura, what’s happening?”
The
thing on the bed gave his grin back to him.
“What must,” she said. “You are
well chosen. You, with your delving into
the black arts. Don’t you know the glory
that gazes into your eyes? Don’t you
know what I am?” She closed her
eyes. “Amun Ra,” she said, “astua aa.”
“My
god,” Quentin whispered.
Laura
opened her golden eyes again. “Indeed,”
she said.
“The
Phoenix,” Quentin said, and swallowed his terror. “The Phoenix of the Ages.”
“Coming
into my own,” Laura said, “again. This
is a rare privilege for a mortal, you must understand. But the human part of Laura Collins – this
woman you think you know, this woman whom you so desperately want to lisp those
ridiculous words, ‘I love you’ to you – the human part of Laura Collins finds
you attractive. And so do I.”
“You
… you are different than she?”
“I
am. We are one and we are both; you do not understand; how could
you? But while she loves the human part
of you, I … I am more interested in what is underneath.”
“And
what is that?” He was alarmed to find
that he was aroused again, that he was stirring. Something about this creature … something …
“You
have such potential,” the Phoenix whispered, and Laura’s teeth grazed his
earlobe. He moaned a little, despite
himself. “Such deep wells.”
“I’ve
been told,” and he swallowed, “the opposite.”
“Deep
wells of power,” the Phoenix said. “I
can feel them, Quentin darling. I covet
them. You will join me, when the time
comes.”
“Power?”
“So
much power,” and she kissed him. “There
are untold universes inside you. We will
discover them … together.”
She
was on top of him now, her eyes glowing, glowing. He closed his eyes and allowed her her
ministrations. “Laura,” he moaned
despite himself. He never made sounds
when he was with a woman; it was weakness, and Quentin never showed weakness
before a woman. Nevertheless, she had him, now this strange
creature, more than he ever could have imagined, and so he moaned again, “Oh,
Laura.”
4
Three days
ago
Something
happened and he couldn’t remember what it was.
Quentin
sipped his brandy at a table at the Blue Whale.
By himself, of course. It burned
going down, which was the sensation he craved.
For a moment, as the insistence on finding the memory rose up inside him
again, he wanted to ball up his fists and slam them on the table until the
glass fell to the wood floor and shattered and then he would press those fists
against his eyeballs until galaxies exploded behind them.
He
did neither of those things. I am
frozen, he thought, and sipped; I am paralyzed.
Something happened.
He
couldn’t remember what.
Something
after he left Maggie’s house, out there in the darkness. There was a gap between his turning away from
her door after she had closed it in her oh-so-imperious manner right in his
face (again; don’t forget, that was twice in one night) and opening his eyes
in his room back at Collinwood. Yet, the
next morning, there was the Jag, in the garage where he must have left it; he
scanned the newspaper and there were no reports of attacks, vampire, werewolf,
or other.
And
that was the key word, wasn’t it. Werewolf. Lycanthrope.
L’oup garou. The wolf-who-walked-like-a-man. That blackout was too close for comfort; too
like the times seventy years ago, when the moon held a special significance for
him.
He
missed Eliot suddenly, painfully. Eliot
would know what to do; if not, they would make a plan together.
But
Eliot was dead now.
Something happened, and I can’t remember.
So
here he sat, alone at his table, and the Blue Whale was deserted.
The
door opened. He didn’t see who entered.
For
a moment, as he searched for the memory, his fingers reached to the collar of
the steel-gray turtleneck he had donned earlier that morning and then fished
around beneath it. No marks, he thought
with a sigh of relief, no wounds.
Why would there be wounds?
Someone
at the bar. He didn’t bother to see who
it was.
He
found himself thinking of Laura now, that first night they came together like
droplets of water, the night of his birthday; which birthday now? it was so hard to keep track anymore; the
night of his birthday, when Laura revealed, intentionally or not (he thought
not) her true heritage: that of the
Phoenix, the dark immortal, the fiend of the ages who, it was prophesied, would
someday bring destruction to the world in one last fiery burst, an
apocalypse. If the creature was allowed to pursue its goals.
At
the time, foolishly, Quentin, quite for the first time, found himself enamored
of a woman with power. She was no Beth,
who always put up a fight but inevitably caved to his whims, or Jenny his wife,
who missed her life on the stage but wanted nothing more than to be Mrs.
Quentin Collins, to give him children, to pet him and feed him and love him
until he went mad with boredom. But
Laura – Laura, now … she could destroy the world someday, and Quentin didn’t
care. As she rode atop him, igniting
feelings he didn’t know were possible, as fire coursed through very inch and
atom of him, he thought, I could love this woman. I could really and truly do it.
He
hadn’t, of course; he left her to burn there on the pyre in Alexandria. She returned, though, and then she returned
again, and again. She was weak after
all, Quentin thought, sipping his brandy, and decided that he would switch next
to straight up whiskey; why am I doing this to myself, he wondered; why am I
sitting here, thinking about all the women in my life? My action; my own weaknesses; the glass was
empty; why was the glass empty now?
The
chair beside him scraped against the floor, and someone set a glass of whiskey,
full to the brim, before him, and then that same someone sat in the chair.
“Read
my mind,” Quentin said, took the glass, sipped it, grimaced, then looked up.
Nathan
Forbes smiled back at him. “I know what
men want is all,” he said.
Quentin
stared at him stonily for a moment, then put the glass back to his lips. He swallowed, grinned, and shook his
head. “Should I have checked for
poison?” he said. “Arsenic? Or something more archaic?”
“Nope,”
Nathan said, and sipped at his own drink.
“Just plain whiskey. You look
like a whiskey man to me.”
“The
last time we met,” Quentin said, “I thrashed you quite soundly, as I recall.”
“You
did.” Nathan’s blue eyes flashed. “I suppose I had it coming.”
“You
did. You absolutely did.”
They
sat together for a moment in silence, nursing their drinks.
“Cold
night,” Nathan said at last.
“Yup,”
Quentin said.
“Been
lots of those lately.”
“The
Old House isn’t well-insulated.”
“Not
when you’re alone. Not when the embers
die in the fireplace, but the heat never reaches my bed. Not really.”
“You’re
lucky, you know.” Quentin met his
eyes. “That Liz is allowing you to stay
at the Old House.”
Nathan
made a flippant gesture with his hand.
“I stay out of everyone’s way,” he said.
“No one bothers me. I’ve tried to
avoid … Chris and Sebastian.” He had
trouble with Chris’ name, Quentin noticed, but that wasn’t surprising. Nathan had convinced himself that Christopher
was the reincarnation of his own lost love.
Quentin sneered suddenly, and slammed back the rest of the whiskey. Lost love; love; any love; any love indeed. Worthless.
Vicki was dead. Maggie hated
him. Beth was dead, and Jenny. Dead, dead, dead.
“That’s
the best answer,” Quentin said, unable to keep the desolation out of his voice. “Avoid, avoid, avoid.”
“You
sound depressed.”
“Quite
observant, Mr. Forbes.”
Nathan’s
lips twitched into a smile. “Lieutenant
Forbes. I was in the Navy. A hundred years or so before you were born,
as it turns out.”
“I
forgot. You’re two hundred something, or
almost. Died and come back, died and
come back.”
“That’s
me. The proverbial bad penny.”
Quentin
regarded him through narrowed eyes. “But
you’re honest now.”
Nathan
shrugged. “Oh, I don’t know. I don’t really know what honest is
anymore. I don’t even know how to behave or what I really want; I come
here some nights; I stole one of Roger’s cars and taught myself to drive, more
or less, and some nights I take it out on the roads. Get the hell out of Collinsport, at least for
a little while.”
“Honesty,”
Quentin said, “is highly overrated.”
“Yeah,”
Nathan said amused, “but aren’t you supposed to be one of the good guys?”
“No
one at Collinwood shows their true face, you know. Not even me.”
He sneered again. “Although
according to some people, there’s nothing underneath this face but more nothing.”
“You’re
immortal.” It was an observation, not a
question.
“Have
you ever read The Picture of Dorian Gray?” Nathan cocked his head. “Oscar Wilde?”
Nathan smiled, and shook
his head. “I’ve never been much of a
reader,” he admitted.
“Doesn’t matter,” Quentin
said. “The story parallels my own
life. You know the details, or maybe you
think you do. The portrait keeps me
young, keeps the werewolf at bay, but forever reflects all the ghastly choices
I’ve made.”
“And
this … Dorian Gray, whatever? That’s the
same story?”
Quentin
nodded. “Wouldn’t surprise me if Petofi
knew the story, or was inspired by it when he gave Charles those ghastly powers.” Nathan gestured helplessly,
inquisitively. “Oh, right. Backstory.
Shit. The power to bring into
reality whatever he painted. As a way of
transferring my curse, if not lifting it outright. Petofi might have known Wilde; wouldn’t
surprise me a bit. He was a social
climber if nothing else.”
“He’s
dead now, anyway,” Nathan said casually.
Quentin raised an eyebrow.
“Petofi. Probably for good. Angelique destroyed him.”
Quentin shook his head as
if to clear it, as if the entire subject of Petofi bored him silly. “I met Oscar Wilde you know. A year or so before he died. After his trial.”
“Trial?”
Quentin
smirked. “He was a queer; did I forget
to mention that? Convicted for ‘gross
indecency’ after the father of his boyfriend took him to court.”
Nathan’s
smile vanished. His eyes grew
wintery. “And he went to jail?”
“He
did. He died a few years after his
release. Very nice man. Witty, as you’d already know if you’d ever read
him or seen his work.” Quentin
shrugged. “I told him all about
myself. Why not? He was amused; actually laughed quite a
lot. I couldn’t prove my story, after
all, but I think he believed me. He told
me, ‘I believe you lead a double life. I
believe there is more to you than meets the eye.’ I told him that I had done terrible things
and no one knew, no one but the damned portrait, reporting every lie, every
cheat, every sin.” Suddenly Quentin
began to grin. “Then he said – and I
swear this is true – he said, ‘Allow me to quote myself. The only difference,’ he says, ‘the only
difference between a saint and a sinner is that every saint has a past, and
every sinner has a future.’ And he
smiles at me and he winks, and he says, ‘Ponder on that for awhile, Mr. Collins.’”
With your beautiful blue eyes.
Quentin
faltered. Wilde had said that too, yes,
and touched his face, slowly, tenderly.
Quentin had allowed him to do it.
“Was
he right?” Nathan asked.
Jolted,
Quentin said, “Hmm? About what?”
Nathan
was leaning forward, chin resting in his hands.
He had been, Quentin suddenly realized, hanging on his every word. “About the future.”
Quentin
scowled. “I am tired of the future,” he
said, “and the past. It is now, and I am
out of whiskey.”
“Oh. Me too.”
“Fortunately
for us,” Quentin said, rising and wrapping himself in his big blue peacoat, “I
happen to have a bottle of Pappy Van Winkle secreted away at the Old House for
just such a rainy day. Or eve.”
Nathan,
fumbling with his coat, said, “There’s no one there tonight. Audrey and Willie are out somewhere, on a
date I suppose. Stranger things have
happened.”
“Good,”
Quentin said grimly, striding out the doors.
“Then we won’t be disturbed.”
It
wasn’t the first time he’d made love to a man, of course, but it had been a
fair number of years, twenty or thirty, maybe forty. He forgot.
He had also forgotten, apparently, the difference in sensations. There was, he was now recalling, something
different about being with a man, or maybe it was just Nathan, who moved in all
the right ways and paid the right kind of attention and for the right amount of
time, and who made sounds that Quentin found he liked, and who let Quentin
lead, let him grip Nathan by the back of the neck and force him down into the
mattress, Quentin’s teeth bared, his eyes aflame, riding, riding, riding until
there was release.
After
the first time, lying together with only the flickering light of the fire to
provide illumination, neither men said a word.
Quentin could hear Nathan’s heavy breathing, and that was all. He
thought, He won’t expect me to love him; is that the difference? Is that the reason I led him back here tonight? Or do I want him to, really? He loves Christopher; he loved this Todd
person in the dim, dead past; what’s to stop him from loving me?
“You
can stay here tonight,” Nathan said suddenly, as if he’d caught the barest
flicker of Quentin’s thoughts.
Quentin
said nothing. He stared at the ceiling.
“Or
not,” Nathan said. “My feelings won’t be
hurt. It’s just … it’s late. Very late.
And I think the rain turned to snow.”
“Cold
road ahead, is that what you’re saying?”
“This
bed is warm for the first time, that’s all I’m saying.”
Quentin
shifted, swung his long legs over the side of the bed, and pulled on his
pants. He could see Nathan watching him
from the corner of his eye, his face expressionless. “I’ve been out in the cold before,” Quentin
grunted.
“That’s
fair. Close the door behind you, please.” Nathan rolled over on his side, away from
Quentin. He stood, hesitated in the
door, turned back, but he couldn’t see the other man’s face.
The
stairs made no sound as he descended them.
The door closed quietly behind him.
Then
something happened.
5
August 4,
1955
“This
would have been our fortieth anniversary.”
He laid the rose on Jenny’s grave, then knelt there, looking at the bare
stone. JANNA ROMANO COLLINS, 1870-1897,
it read, no epitaph; why would a foolish Gypsy woman, a woman foolish for her
attempt to love a Collins, why should she
deserve an epitaph? Edward’s rationale,
of course. He touched the letters. They were cold, despite the sultry heat of
the night.
Behind
him, several yards away so as to ensure Quentin’s privacy, Eliot Stokes was
examining in close detail other Collins gravestones. He was looking for clues that might lead him
in the direction of a cure for the lycanthropy that would descend upon
Christopher Jennings, then only a boy of ten, but still, only eight years away,
by Eliot’s calculations, from the curse’s awakening.
Quentin
looked back at Jenny’s stone. Had he
really loved her? Once, perhaps, though
it had occurred to him time and time again to wonder if he truly understood
what love was. Nights like tonight, birthday
and anniversary both, he thought: no;
no, I truly do not.
Jenny,
Laura, Beth, Victoria Winters (and was it tempting to try to find her, to
remind her of their love? yes, oh god, yes,
but of course, according to the ridiculous rules of time travel she wouldn’t
recognize him because they hadn’t met yet; though, when she finally arrived at
Collinwood in just under twelve years, he would know her and love her again) –
this line of women, ruined by him. I
destroy, he thought, and remembered that long-forgotten girl from his
fourteenth birthday; couldn’t remember her name or even her face, but he remembered with incredible
vividness the smells of the night, the sounds, the colors and the shadows as he
pursued her through the darkness. Did he
catch her? Probably. He couldn’t remember clearly.
La, Quentin.
He
stiffened, and then looked over his shoulder.
No one there, no one but Eliot, farther away now, out of earshot.
“Magda?”
he whispered.
No
one there.
They will always love you, Quentin. Never forget that.
Magda’s voice … and
Jenny’s?
The
wind touched his face, softly, gently.
Like the hand of a lover. Was
there perfume in the air? Some scent?
They will always love you.
“But
I’m not capable of loving them!” Quentin growled through gritted teeth. His cheeks were wet with tears, and he had no
idea when they had fallen. His hands
were clenched into fists so tight that droplets of blood pattered down onto
Jenny’s grave. “Don’t you see? Don’t any of you understand? I am not allowed to love anyone, not ever,
not ever! Now leave me alone! Go away and leave me alone and don’t ever come back!”
He
was panting. His hands hurt. The perfume in the air was gone; the warm
wind was gone; they were gone, or
she, whoever it had been. Gone, gone,
gone.
“It’s
going to storm.” Eliot, looking at him
kindly. Quentin stared furiously at the
ground. “Perhaps we should …?”
“You’re
right,” Quentin said. His voice sounded
gruff, taut, in his own ears. “Let’s get
out of here.”
And
he didn’t look back.
6
Now
It
had been Roxanne, of course, and though she hadn’t pierced his flesh with her
fangs, she had somehow managed to insert her consciousness, her venomous will, into his own mind, and now he was
hers.
He
had returned to Nathan only this afternoon, convinced himself that he was on an
aimless afternoon walk through the woods, but he ended up at the Old House, of
course; cold comfort – well, grinning, thrusting into the other man, he
thought, not exactly cold – better than
no comfort at all.
And
then, afterward (three more times, then
afterword), leaving Nathan smiling and sated, he found her on the porch again,
as he had once before, and once at Maggie’s house before that. “It is time,” she had said, her eyes sunken holes,
her teeth fangs. “Now.”
The
cemetery, the gravestone, the shovel, the digging. Roxanne appearing above him, urging him
on. “She must be awakened,” Roxanne
said, giggling, “the time has come. The
time has come at last.”
VALERIE
COLLINS, the stone read. 1810-1840. GOD GRANT SHE LYE STILL.
Why
such a tombstone?
His
will was her will; his was not to ask
questions. His was to dig.
So
he dug.
Uncovered
the coffin in darkness.
Opened
the coffin.
The
corpse inside was ancient, near dust, shrunken, a mummy. The skull bare, the skeleton clothed in
colorless rags.
A
wooden stake jutted out of its chest, caught in the ribcage.
“You
know what you must do,” Roxanne
said. Her voice was imperious, her
command not to be denied. “So do it.”
I
don’t want to, he tried to say, but his lips were numb. The words were trapped. He couldn’t speak. He reached out for the stake, tried to stop,
tried to freeze the muscles of his arm.
“Awaken
her. Do it. Now.”
Her
command. Could not be ignored.
His
fingers closed around the haft of the stake.
And
pulled it out.
“Yessssss,”
Roxanne said, and clapped her hands.
For
a long moment nothing happened, and they watched together.
Then
the metamorphosis began. The flesh
collected, thickened, strengthened, over the skull and folded arms; the hair
appeared in scant profusions, then grew into a long golden mane that curled
into a froth of ringlets; even the skeleton’s costume shivered and trembled and
re-knitted itself from nothing, now a gorgeous blue gown; an emerald stone
burned with spectral phosphoresce above her breasts, which swelled and
grew. Despite himself, Quentin desired
her, hungered for her. She was, he
thought, very like Angelique, that same beauty.
Her cheeks were ashen pale, and her eyelashes lay like soot against the
pale cream of her skin.
They
trembled, her eyelids, the eyes rolling behind them.
“Now,”
Roxanne said.
The
eyes opened, cold and blue. Her lips
curled into a smile, revealing the fang teeth Quentin expected.
She
sat up in her coffin and opened her arms.
“Take
him,” Roxanne said.
Quentin
closed his eyes. This was inevitable, he
thought; active? Me? The man who knows what he wants, who goes
after it, who gets it? The man with a
goal, more than a portrait, more than evil frozen into a frame, a paralyzed
form for all eternity? He leaned his
head back, exposing his throat.
And
when he felt the fangs as they slid into him, it was almost a relief, this
subjugation of his will, of his desire, this insertion of another’s will into
him, his mind, his life, which mattered very little, he thought, very little to
anyone anymore.
There
is no future, he thought, sinking gratefully into darkness, no future at all
anymore.
Not
for any of us.
TO BE CONTINUED ...
No comments:
Post a Comment