This is for my friend Nancy Be.
Dark Shadows (1966-1971) was a soap opera with an emphasis on the supernatural that has garnered a cult following in the years since it left the air. The introduction of Barnabas Collins (Jonathan Frid) catapulted the series to enormous success, capturing the public's imagination in a way that continues to endure today. This online fanzine will provide a place for rare photos, articles, stories, artwork, and other multimedia as a tribute to the magic and mystery that is Dark Shadows.
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Thursday, February 23, 2012
A Tribute to Grayson Hall
Labels:
Grayson Hall,
julia hoffman,
magda,
Natalie
Tuesday, February 21, 2012
Shadows on the Wall Chapter Forty-Five
Chapter 45: Hearts & Bones
by CollinsKid
Voice-Over (Grayson Hall) "Collinwood, in the year 1897. The precipice of a
new century, and a house of full of secrets, and fractured hearts. In the
midst of this tempest, one young woman has traveled backwards in time on a
desperate mission to salvage not only her existence, but that of the entire
Collins family of the 20th century..."
It was somewhere in that light/dark nethertown, that balmy, post-storm spot
between night and day, when Quentin Collins finished his third cigarette --
cheap, overly sweet, Parisian -- and stubbed it out on the gazebo floor under
his heel. A light drizzle was all that remained from that previous night's
storm, and in the sky, the black clouds hid away a still-growing dawn, their
secret to keep -- and below them, Quentin and his.
The living dead, he muttered inwardly. Clearly, Grandmama is no longer the
sharp serpent I'd always known her to be. The things she'd said were a bit
left-of-center, even for her. When Edith Collins had finally finished her grand
statement, she took a long, phlegm-rattly heave of oxygen, and settled back
into a dreamless reaper's sleep. Quentin at first had thought her dead, and
had waited there for four uncertain minutes, trying to discern what had just
happened. Then she snored, and he swiftly exited. He'd paced the grounds,
this drenched grove of avarice, in the hours since. Smoked. Pondered what
she's said. And here he was still.
The living *dead,* he scoffed again. What lunacy.
(madness.)
(except...)
....Except for everything else about Grandmama that he and Sister Judith knew,
and no one else had ever bothered with -- or dared to think about. She was no
ordinary rheumy old crow, eyes milky and blood purple, oh, no; ever since he'd
been little, Quentin had always sensed the 'off'ness in his dear Grandmama, and
as he grew, and learned of things that his parents spat on, he came to
recognize that strangeness as not strangeness at all, but in fact a black
nimbus enveloping this 'poor, frail' old woman who sipped tea and read tawdry
romances; a halo of the darkest magic, always shimmering, always protecting,
always consuming. His Grandmama was no ordinary Grandmama, oh, no; she knew
all and saw all. At least, she had, for now twilight was falling upon her
black stage, and she was not going quietly.
Was it madness? Delerium? All-too-human frailty finally winning out over
arcane mysticism? Could Quentin take the chance of dismissing her ranting?
Edith's time was almost up; he doubted she would finish out the week.
(Barnabas Collins...the living dead...)
Quentin had seen the portrait, of course. Looked like a rather stiff gent,
likely to no sooner drop that cane than rip his own arm off. One of the living
dead? He'd looked like he was already there.
(Can I take the chance of believing in you, Grandmama? Or is this your last
joker's joke?)
"What's with you?"
Quentin spun. Under a curtain of leaves, Magda leaned against an oak tree, out
of the rain.
Quentin chuckled. "What's always been with me, Magda m'dear, light of my
life," he said jovially/desperately. "The foulest luck."
Magda folded her arms, her brown face crinkling with a sly smile. "Don't tell
me your precious Grandmama was not swayed."
"My precious Grandmama is about to do high tea with Mary, Queen of Scots,"
Quentin grumbled, slapping one of the gazebo's supports with an open hand. "In
the meantime, I'm still broke."
"You always broke."
"You wound me, Magda," Quentin pouted. "Can't you spare some of that gypsy
luck of yours, and sprinkle it on me?"
"How was Europe?" Magda asked, sashaying over to him in her crimson robes and
deftly changing the subject. She slung an arm around his waist. "How many
fortunes you make and lose in one day, eh?"
"Thousands upon thousands," Quentin mumbled, a hand over his eyes, shielding
him from the missing sun. He rubbed the bridge of his nose.
"Jenny woulda never stood for that," Magda said, baleful. "She woulda set you
right long ago." Melancholy overtook her. "But..."
Quentin clenched her weathered palm. "But Jenny isn't here," he said, softly
but swiftly. "That's the way things are, Magda; you know that. And you know
I'd change it if I could."
He saw her face soften and knew he could still operate her, too, like he always
did. "I know," Magda said simply, voice a little stuck. "I know." She patted
his palm, maternal. Then, clearing her throat, she pulled away, swaying a bit
around the gazebo, flapping her robes idly. "So, what? Edith give you the
big, bad secret?"
"So she thinks," Quentin said, rubbing his nose again.
"Well, what was it?!"
Quentin paused. Then, he spun on his heel, fixing Magda with a wolfish grin.
"It's that all the world's a puppet show, and we are Grandmama's marionettes,"
Quentin murmured. "And this puppet is getting his own solo act -- cover charge
and all. You wait and see, Magda; I'm not played yet."
Magda folded her arms, smirking. "You been played all your life." Quentin
laughed boisterously at that, and she did too, and then he took her arm and
they strolled through the grounds, damp from the rain, watching the sun rise.
And as Quentin felt that mottled light bathe his brow, he looked up into that
incandescent nova and thought, your games are very charming, Grandmama, but
your age is over. And I no longer have any patience for antiques...
*/*/*/*
Vicki was sitting on the divan in the drawing room staring at a cup of
translucent, thick tea and feeling the sun on her back and wearing 19th
century clothes, still trying hard to take it all in as Edward Collins droned
in her ear, a protective -- a lover's -- arm around her waist:"...can't stress
how sorry I am that you had to witness that, my darling, my brother chafes me
so; he's been impossible for years and we all so hoped he would go to Europe
and not return; maybe that's wrong of me I don't know but it seems that things
are so much more peaceful when he's not about how was your trip you look as
though you have a chill may i help you with your tea?" and as she looked at him
and his ruddy cheeks and that Roger-face she thought is there an animal in that
moustache, and if so, what kind, and does it bite and is that why he's so tense
all the time? and they don't expect me to actually marry him do they?
Out of her reverie, she stirred, smiled, and said, "Thank you...dear...I'm
fine," and picked up her tea and sipped it. It was somewhere between lemons
and oil. Vicki thought of the Industrial Revolution, and then corsets and
ribcages. Her heart cringed.
"So your trip was decent, then?" Edward asked delicately, as though tiptoeing
around his rather out-of-sorts bride. It must be the travel, he thought.
"Very," Vicki said. "Except, except for a bit of a storm, I'm afraid. I
suppose that's why I'm a bit peakish today."
Edward's grin was wide and relieved. "Perfectly understandable!" he said.
"Even in this modern age we are unable to tame the weather; an awful pity, if I
do say so myself. And to go from a metropolis such as New York to all the way
out here...well, I can understand the culture shock. I've experienced it a time
or two myself, on my trips. You'll get used to it, darling, see if you don't.
You'll be a world traveler before you know it."
Vicki pursed her lips. "Ah....yes." Please God, no, she thought silently.
"Oh, look!" Edward exclaimed, and his voice was so booming Vicki winced and
almost dropped her teacup. Did he *have* to shout everything like a carnival
barker? "The children!"
Vicki wanted to disappear. There, at the suddenly-opened drawing room doors,
stood the maid, Beth, pretty and wilting in a house such as this -- Vicki knew
the look -- and below her, indeed, were Edward and Laura Collins' children.
With a sort of detached non-surprise, Vicki recognized Jamison and Nora Collins
as mirror images of David Collins and Amy Jennings. Oh, how amusing, I see,
what a kick, her mind mumbled tiredly, then checked out.
Jamison and Nora stared at her like she was Hitler himself. Vicki struggled to
move her legs and rise as Edward stood and went to embrace his children.
"Jamison! Nora! Good morning, you two -- come meet your new mother!"
Vicki's heart squeaked like a greasy wheel, and died. Could he have introduced
her as *anyone else?* Anyone at all? Mickey Mouse, perhaps? She somehow managed
to stand and smile politely -- I am *so sorry* her brain desperately tried to beam
to them -- and say, "Um, hello...Jamison, Nora. It's very nice to meet you.
My name's -- " Mud? Hitler? YourNewMother? "-- Victoria."
The children flash-fried her with their eyes, then simultaneously looked up at
Edward. "Have you heard from my mother?" Nora asked her father. "Has she
written you lately?"
Edward hemmed and hawed, shrinking away bit. "Er, uh, no, Nora darling; I'm
afraid not...but, but do, do come sit, and meet Victoria!"
Oh, Christ, Vicki thought. Victoria, the Eighth Wonder of The World!
Jamison zeroed in on Vicki with his ray gun eyes. "Is she going to be staying
here? With you?"
Edward folded his arms. "Now, Jamison, don't make me become impatient with
you. Miss Winters is very important to me; I love her a great deal, and I will
be marrying her very soon. She will be a part of my life, and a part of yours.
Now you've only just woken up, and she's had a very long trip; please come
meet her and see if you can't make friends."
"We can't," Jamison snapped, and then added:"Have you sent Quentin away again?
I won't have it!"
"I have done no such thing," Edward exclaimed, suddenly finding himself on the
defensive, and hating it, and so he puffed up his cheeks and roared back:"I
will not be spoken to in that tone, young man!"
"Grandmama wants Quentin to stay and I do too!" Jamison spat. "I don't care if
you hate him! I want to see him and I want to see him now! I'm not having tea
with you and *Victoria!*" With that, he tore out of Beth's grasp and up the
stairs, with Nora soon nipping at his heels.
Edward stomped after them, but instead settled for howling at them from the
foyer. "Jamison! Nora! Come back here this instant!"
"I'll tend to them, Mr. Edward," the put-upon Beth mumbled, and hurried up the
stairs.
"See that you do," Edward growled, and with a huff, headed back into the
drawing room, his face red, his chest heaving, and his moustache twitching. To
Vicki, he looked like an impotent bull.
Edward suddenly realized who was there, and broke into sunny smiles again,
sweat on his brow. He opened his arms. "Well! Darling!"
Vicki shuddered.
*/*/*/*
"But she's so normal," Jamison Collins grumbled to thin air, and a spectre only
he could see, as he kneeled on the floor in that dusty old West Wing storage
room. "Everything about her; her face, her clothes -- she's not my mother.
She never will be." He had gone through three sets of reprimands ever since the
debacle that morning -- one prim one from Beth that he shook off, one stern one
from Judith that left him meek and slightly abashed, and one furious, raving,
spittle-flying rant from his father that he couldn't remember very much of
because he had been furious, raving, and spitting right back. Jamison Collins
and his father had not gotten along very well since his mother left, and it was
only getting worse as the years ticked by. After enduring all the reprimands
and a confinement to his room, Jamison had puttered around with books and his
old toys until late afternoon, where he heard that siren call in his mind, and
had been compelled to shake off the shackles of tyranny and head for the West
Wing.
"Poor Jamison," the face made of light and fire simpered, those burning diamond
eyes glimmering eldritch-style. "Familial strife becomes you, I think. You
have flush in your cheeks again. It would seem that you enjoy doing these
little chores I give you."
Jamison swallowed. "You know I don't," he muttered. "I do it because you make
me."
"Make you?"
"Yes."
"And how do I make you?"
"You just do," Jamison said, pouting.
"Is it a spell, then?" the woman made of magic asked teasingly. Jamison felt
like he was her palm, waiting to be crushed. "What is this magic I've placed
on you, Jamison darling?"
"You say things, and I do them!" Jamison snapped, irritated and flushed. Then,
blurting:"It's your eyes. It's in your eyes. You know it. You told me
yourself to look at them. And I always do, a-and look -- here I am."
A smirk. "Here you are," the ghost murmured. "Just one more question,
Jamison."
"Yes?"
"If I wanted to, I could make you my doll. You would turn on and off when I
wished. You would kill your sister in her sleep for me. I could make you do
anything I wanted. There would be no discussion, either; no banter, no
*bonhomie.*" She spat the last word out, like poison. "You would not prattle on
and on about your fool father's new woman. You would not become impatient with
me. You would not be sullen. You would not be anything. You would simply be
a vessel, waiting to be filled. But you're not. You can discuss. You can
question. You can speak. You can think. I've allowed you that. I didn't have
to make you a toy boy, Jamison, because somewhere, deep down, there is a kind
of consent between you and I -- somewhere inbetween you and me, I offered, and
you took."
A sublime smile. "Why do you think that is, Jamison?"
Jamison felt like he was made of ice. The blood was gone from his face. "I
don't want to talk with you like this anymore," he stammered. "Tell me what
you want to do, and I'll do it."
The eyes glittered, and there was a laugh made of broken china. "Very well.
No more talk." She fixed Jamison with those cobra's eyes, and he felt a blessed
warmth return to his veins, a white-hot ether. "Listen to me, Jamison. Listen
very carefully. It's almost time for you to break that door down..."
Jamison listened, and as the sun began dipping below the trees again in the
day's endless cycle, he understood.
*/*/*/*
It was almost evening when Edith Collins roused again, from that dead man's
sleep that threatened to no longer be figurative. She was sure it had been her
time last night, when she had unburdened herself upon that awful grandson of
hers, so like her but so doomed, and now here she was again, damnably awake and
alive in this damned bed. She smelled must and lace, and old tea. She
struggled to sit up, and peer out the nearby window, and saw only red hues of
sunset.
"That's right, Grandmama. You slept this whole day."
Edith turned and saw him there, in Judith's easy chair -- Quentin, legs
crossed, mock-reading one of Edith's novels. He stopped, then smiled at her,
perfect white teeth glittering like a rabid dog's maw.
Edith harrumphed. "You again. Aren't you satisfied? I gave you the secret."
"You gave me a madwoman's joke," Quentin said through a clenched, smiling
mouth. "And it's all been very funny, Grandmama, but I'm afraid the ride has to
stop now."
Edith chuckled with a creaking noise in her breast, and shook her head. "Fool
boy. I gave you what you sought, and you will not take it. You are the joke."
Quentin rose in a flash. "I am NOT a joke!" he snarled, furious. "That's for
Edward, Grandmama, or Judith; not you! You know better!" His hands, curled
like claws, shook violently. His eyes were red-rimmed and wild. "Or at least,
you will...in Hell..."
"Do what you will," Edith croaked. "You think I'm afraid to die? You think
I'm afraid of you? The only thing that frightens me anymore is the thought of
living long enough to see God get around to turning his eye onto me. You're
the one that should be afraid, rejecting my hand now! Do you have any IDEA
what comes next? Death is not the end, Quentin. You'll need a patron -- "
"And will it be you, Grandmama?" Quentin laughed spitefully. "From beyond the
grave, in your lace and petticoats, cold and in dirt?" He kicked the side of
the bed. "I won't spend the rest of my life as nothing! I'm worth more than
the luck I've been given thus far! You know it, I know it!" In a flash, his
hands had seized a spare pillow. "Now tell me the secret, Grandmama, the REAL
secret, or so help me God I'll bring Him down upon you quicker than you could
scream -- "
Edith laughed, long, and loud, and grating -- nails on chalkboard. Then,
gasping, heart rabbiting:"YOU would bring God down upon ME," she spat, voice a
thick death rattle. "I was born to love fools." Then, hoarse, hiccuping:"i
see...an animal...in you."
Quentin Collins stood over his Grandmama, pillow in hand. "You see me," he
said softly.
He brought the pillow to her face.
TO BE CONTINUED ...
Wednesday, February 15, 2012
Dark Shadows: 2012
Since we don't really have a poster or a trailer yet (though one seems to be forthcoming in March, supposedly), here are the images from the 2012 Tim Burton/Johnny Depp endeavor that I've collected thus far:
Shadows on the Wall Chapter Forty-Four
Chapter 44: Thief of Hearts
by Midnite
"Thus fate knocks at the door." --Ludwig van Beethoven
(Alexandra Moltke) "Collinwood in the year 1897 … A young woman has escaped
into the past in an attempt to return the hope of a future to her loved ones.
But to do so, she must first change the lives of the people that exist in that
previous time … and she will soon learn that pain and turmoil are not strangers
to them either."
Beth's eyes were widely opened flowers-- blue blooms with their dark centers
clenched to conceal the true feelings behind them. "You shouldn't have come
back!" she railed. "When Mr. Edward finds out…"
"My brother can't do a damn thing about it," Quentin said while encircling the
foyer. "Not this time."
"How can you be so sure? No one is allowed to even speak about you in front of
him."
"I'm here at my Grandmama's invitation." His voice had grown louder. "Now tell
me why YOU'RE still here?"
She averted her eyes. "Miss Judith asked me to stay on."
"You traded a handmaid's job for aprons and sweat?"
"I'm happy here." She had turned away but could feel his breath on her neck.
"You're lying," he whispered.
"It's true. I'm paid very well, too."
"Now I know you're lying." He held on to her shoulders, spinning her until she
was facing him again. "You stayed because of me, didn't you?"
"No," she whimpered.
He was caressing her now, and smiling-- always smiling. "Ahhh, Beth. It's
good to feel something besides the cold."
"Quentin!" a voice shouted from the landing. "Take your hands off her!"
"Hello, dear sister," he called out, but it was her employee that Judith
addressed next. "Grandmama had an accident. Please see to it immediately."
"Yes, ma'am," was the answer before they passed on the steps, a sleepy tear
adorning one of the young woman's eyes.
"And be sure to lock the door when you leave," Judith added.
"You can't keep me away from her!" Quentin snapped. "She's my grandmother
too."
"Wait," she said while leading him into the drawing room. Once the doors were
secured behind her, she turned to find Quentin unstoppering the brandy. "The
servants are always eavesdropping," she told his back.
"What makes you think they can't hear us in here?" he asked, and she knew that
he was right. "Why did you come back?" she asked.
"Because Grandmama wanted me to. Didn't she tell you?"
"Of course. We became very close while you were … away. She's often confused.
I'm sure that's what happened."
"Then why don't we go upstairs right now and ask her?" He watched as she paced
back and forth. "Jamison begged me to come back too, you know. Where IS my
nephew?"
"He and his sister went up to bed already."
"This early?"
"They said they were tired."
"And you believed them?"
"Quentin, leave the boy alone."
"So you can crush his spirit?"
"And what would he learn from you?" she snapped back. "How to seek solace in
alcohol?"
"Call him down here, then. We can ask him if he wants his Uncle to stay. If
he says he doesn't want me here, then you have my word that I'll leave first
thing in the morning. But if he says he wants me to stay…"
"You would take a chance like that?"
"Chance amuses me. You know that." He circled the divan, taking in the room.
"Nothing has changed. But nothing much ever changes around here, does it?"
Judith sat and folded her hands in her lap. "Things have never been worse,
actually. Everyone is fighting everybody else, and no one dares admit how they
really feel, even to themselves. But you've always been so different from the
rest of us. You never pretended to put your family's needs above your own, and
you know exactly what you want and aren't afraid to go after it. And then
there's the way you treat women…" He was staring, she noticed. "Am I being too
blunt?"
"Like a sledgehammer."
They heard several knocks, and by the time Quentin had availed himself of
another drink, he heard his sister say, "What do you want, gypsy?"
"I come to give you something that belongs to you," the familiar voice said.
"That's a first," Quentin declared while approaching the two women. "And who
is this?" he asked.
"Cute, eh?" Magda said as a she glanced back at the girl that was frozen in
place behind her. "She's Victoria Winters. She had an accident and I think
she's not right in the head, but she has papers say she here to marry Mr.
Edward."
Judith frowned at the girl's attire and careless hairstyle. And what was she
doing out without a proper coat? "It's warmer in the drawer room," she told
her. "Come with me."
Once out of their line of sight, the remaining pair embraced. "Quentin! I'm
surprised to see you here," Magda told him.
"I could say the same about you. Are you still reading Grandmama's cards?"
"Not so much anymore. The old lady gets weaker, and your sister grows
stronger."
Judith had returned. "She's warming by the fire," she announced. "Magda, you
have our family's gratitude." But the gypsy held out an empty palm.
"Very well," Judith said as she placed a coin in it. And when the other woman
had left, she said, "As soon as Grandmama is gone, I'm going to see to it that
every last gypsy is forced off the property."
~*~
It's freezing in here, she told herself after entering her quarters. The one
tiny, cracked window was glazed with ice, and it mirrored a heart that was
shattered and unreachable and frosted with pain. She collapsed onto the bed but
quickly pulled herself to sitting when a door swung open and Quentin ventured
inside.
"You shouldn't be in here!" she shouted up at him.
"It's my house," he said coolly. "I can go wherever I want."
"It's your grandmother's house," she corrected while scurrying to her feet.
"And when she's gone, it'll be Edward's. Everybody knows that." She was
standing too now, her chin jutting out in defiance.
"They're wrong, because I'm the one that'll be Master of Collinwood. And I
always get what I want," he told her as he boldly stepped closer. "Tonight
you're going to learn that."
His hands grasped her shoulders, and she felt a rush of feelings, swift and
flowing as water. She struggled to hold her ground but was no match for his
strength, so he dragged her toward him easily. She turned her face away from
his lips, causing them to press against her temple instead, and next she heard
herself say, "Let go of me or I'll scream. I'll scream so loud that the whole
house will hear it." He released her at once and she noticed that he wasn't
even looking at her but was eyeing something behind her, and then he pushed her
completely aside. "What's this?" he asked while reaching for an envelope on a
nearby dressing table.
"That's mine," she said quickly. "Leave it alone."
He counted the bills inside it. "There's $300 here. What are you doing with
that kind of money?"
"I earned it. Now give it back!" She tried grabbing for it but he dodged her
grasp.
"Then why is somebody else's name on the envelope?" he asked. "It says
'Filmore'". He let out a chuckle and added, "It looks like Edward's writing.
Did you steal it from him?"
"I told you, it's mine. It's my savings."
"Well I'm going to see about that," he said as he tucked it away under his
frock coat and then patted the spot. "And I'll need to hang on to it in the
meantime."
"No, Quentin, please!" she pleaded, and turned away to hide tear-filled eyes.
For so long her heart had been a frozen sea that only this one man had managed
to break through, yet since his return she had encountered only cruel
intentions and a cold smile. She reached deep inside to find her courage and
told him, her voice crackling, "I want you to leave now and never bother me
again." She waited, a small part of her hoping to hear his voice raised in
protest, but was unaware that he was searching for a key ring and that as soon
as he spotted it, the keys were silently scooped up into the palm of one hand.
What she did notice was the sound of his boots exiting her room and becoming
fainter as they stepped further down the hallway.
~*~
Quentin greeted his friend with the usual formality reserved for all their
public encounters. "Hello, Mr. Hanley," the younger man said, to which the
other in the pointy beard replied, "Good evening, Mr. Collins. I didn't
realize you'd returned." Then the latter's voice dropped to a whisper. "How did
you pull off getting back into the house?"
"I'll explain later," Quentin told him. "I planned to stop by your house."
"I'm expecting a few members around midnight," the lawyer told him while
unbuttoning a cashmere coat that Quentin eyed with envy. "But for the time
being, I have an appointment with your sister and it may take a while."
"You're here to see Judith? What about?"
"You won't believe this, but it's about your Grandmother's will."
"Grandmama's will?" he asked, his voice returning to normal. "Why would you be
seeing her about that?"
"Shhh. I'm here to negotiate a price to change it in her favor."
"To leave Judith all the money? But of course you're not really going to go
through with it?" Quentin demanded.
"She told me that she's willing to make it worth my while. Can you believe my
good luck?"
"Whatever she offers you, I'll double it."
"The problem with that very generous offer," Evan said reprovingly, "is that
Judith can pay me now and you cannot."
Quentin moved closer. "But I'll give you everything I have, and I'll inherit
the rest when the old lady is dead. I hear it won't be long now."
"But all of what you have amounts to nothing."
"That's not true. I happen to have $300 on me right now," he said while
producing the fat envelope, "and you can have it all. And there's more where
that came from."
"I see. What did you do-- steal that money?"
"Evan, you can't treat an old friend like this."
"Well, 'old friend', I'm afraid that I also have to deal with a, shall we say?,
cash flow problem."
"Oh great. Just how much do you need?"
"I have to get my hands on $5,000 very soon or I stand to lose my house and
everything in it."
"Ha! I knew that younger wife of yours would get you into trouble. I'm sure
we can put our talents to good use in solving both our problems. I can
personally see to it that the old witch is dead by morning. Then if you can
rush the will through probate…"
"I'm sorry, Quentin, but I can't help you. Now if you'll excuse me, I'm
already late, and I can't afford to make your sister angry."
"We're not done talking about this!" he said too loudly.
"I'll see you at midnight. And by the way, there's something else that we'll
need to discuss later. It seems that someone broke into my house earlier."
At last, Quentin seemed concerned about the misfortune of his friend. "Was
anything missing?" he asked.
"Only a few items that weren't of any consequence. But it's not like I can
report it… Miss Collins!" he called out as Judith emerged from the drawing room
and again closed the doors behind her. He stepped forward to meet her in the
center of the foyer and deposited his coat on the table nearby. "It's wonderful
to see you. I hope you can forgive my tardiness."
"It's quite all right," she explained. "We had some excitement that occupied
my time. Edward's fiancée arrived this evening from Boston. She's in the
drawing room, so why don't we take our business into the study? Please excuse
us," she told her brother, who stared at their backs until they disappeared
behind the door, his dreams vanishing with them.
~*~
"Hello, Quentin." The feminine voice startled him because he thought he was
alone. "I forgot you were in here," he told her, adding, "I haven't-- we
haven't met before, have we?"
"Oh no. Judith was just giving me a crash course on your family."
"I see. And, um, what did she tell you about me?"
"That you are very charming," Vicki said, blushing a little. "And I learned
you have a younger brother named Carl who is vacationing in New York."
"You'll find that Carl is very different from the rest of the Collinses. He's
the only one that isn't afraid to laugh. Would you like some brandy?"
"Thank you, but I already had some."
"You should get all you can before Edward starts hiding the good stuff again,
which will undoubtedly happen as soon as he learns I'm back." He sat beside
her. "You look a little overwhelmed. But don't worry, because our family
affects people that way at first."
"I- I don't think your sister likes me very much."
"She's probably just being overprotective. But I'm sure she'll come around.
Look at how quickly you're winning me over."
"Judith said you had just returned from a tour of Europe," she said, changing
the subject. "It sounded very exciting."
"Have you ever been abroad, Victoria Winters?"
"No. Until recently, I was never far from New York."
"I thought you were from Bost-..."
"I told you what I would do if you ever came back!" Edward Collins' face was
flushed and his sculpted moustache was twitching.
"But Grandmama wouldn't look favorably on anyone that hurt her favorite
grandson, now would she?"
"You are despicable!"
"But I've returned to ask for your absolution." Quentin dropped to his knees
and pretended to pray: "Forgive me, brother, for the sins I committed daily
against you."
"You are no brother of mine! You are no better than a lump of dung that one
tries to shake off his shoes if he has the misfortune to step on it."
Quentin stood and began to applaud. "You don't know how funny you are,
Edward."
"Even if I can't do anything to you now, it won't be long before I'll be in
charge, and then I'll make you regret that you ever returned!" he announced
before stomping away. Quentin squeezed the glass he held so tightly that
shards rained from his hand. "You can still get out while you can, Victoria."
"You've cut yourself," she said. "Let me see it."
"It's nothing."
"No, it looks very deep. You should get a doctor to look at it." She helped
him wrap the bloody mess in a handkerchief. "It'll be fine," he assured her.
Yet Vicki thought about the z-shaped gash on his palm and how familiar it
seemed. She once used a finger to trace the scar on her Quentin's hand, she
recalled, while they shared a blanket on the lawn behind Collinwood. But both
men couldn't possibly have received identical injuries. Her memory must be
playing tricks on her.
~*~
The first key chosen turned easily in the lock. Now he could enter the
fortress, but first paused in the doorway to peer into his Grandmother's world.
The room was much larger than the bed, with one side jam-packed with journals
and oversized books from floor to ceiling and a large window that afforded a
fine ocean view on the opposite wall. He surmised that all of these were as
useless to her now as her own limbs.
She was looking at him now, and suddenly the frown faded and her mouth grew
wider. "Is that you, Quentin?"
"It is, Grandmama."
"Close the door and come give me a kiss," she told him, and he sensed it was an
order and not a request.
"Are you as sick as everybody says?" he asked while dragging a chair behind
him.
"Not so much as they're hoping. Everyone in this house wants to bury me before
I'm dead," she said pitifully. "I dare not nap for too long, or I might wake
to find them throwing dirt on me!"
He kissed her cheek perfunctorily and seated himself at her bedside. "Judith
tried to keep me away from you, but Jamison wrote in his last letter that you
insisted on seeing me as soon as possible."
"Your sister and brothers are weak, but you've always been smarter and more
resilient than all of them put together." She waved a bony finger at him,
adding, "If not for the drinking and womanizing, there'd be no limit to how far
you could go."
"I traveled a long way to see you, so it better not have been just to hear one
of your lectures."
"Oh do be quiet and listen for a change. Quentin, I've looked into death's
eyes before, but this time-- this time will be my last. But before I can leave
this earth, I must pass on the secret to the family member I feel is the most
suitable, and I've decided that you're the only one worthy to hear it."
"You mean there's really a family secret? I've heard talk of it since I was a
little boy," he babbled excitedly, "and now I find out that it's not only true,
but you're going to tell it to ME. I've been asking that my luck would change,
and I knew it would happen eventually. Oh yes, I KNEW it would!"
"No, Quentin," she warned. "Don't think of this as luck, or that it's the
result of your dabbling. And haven't I told you to watch out for wishes? Only
an amateur would waste a talent like yours on such foolishness."
"The secret, dammit. Tell me the secret!"
"Very well, but my death isn't so imminent, you know. The secret is really the
family curse," she explained. "It's a burden that one family member in each
generation must take on." Overcome by a sudden spurt of coughing, she gestured
toward the water glass resting on her nightstand.
"What are you talking about?" he boomed. "The secret will give me power,
right? And I won't have to answer to anyone ever again."
"Water," she choked out. He absently brought the glass over and met her mouth
with it, and she sipped a scant amount before pushing it away. "Not power,"
she squeaked. "The secret, if it got out, would bring death to everyone at
Collinwood. Tonight, the fate of all future generations of Collinses will come
to rest on your shoulders."
He slammed the glass down and snatched up a bottle of red liquid. "What's in
this medicine they're giving you, anyway?"
"My body may be worn out, but my mind isn't addled. Now take care to not
interrupt again." Her emotions caused her to struggle for air between phrases,
not that he noticed. "In the family crypt … on Eagle's Hill … there is a rear
chamber … that was carved into the rock … over a hundred years ago. That room
… contains only a coffin … secured with chains and nails. Entombed there … is
your ancestor … Barnabas Collins … who was reported to have sailed … to England
in 1796. But the family records … are incorrect … since in truth … he lies
there in a cursed state … for he is now one of the living dead. And you … you
must see to it … that he is never released … or that single act … would mean
the ruin … of us all!"
TO BE CONTINUED...
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